Chronological Summary of Selected Books Published in Music Psychology
Amended and updated from Eagle, 1996
Year | Author(s) | Title of Book | |
1863 | Helmholtz | On the Sensations of Tone | |
1880 | Gurney | The Power of Sound | |
1883 | Stumpf | Tonpsychologie, Vol. 1 | |
1886 | Wallaschek | Aesthetics of Music | |
1890 | Stumpf | Tonpsychologie, Vol. 2 | |
1892 | Broadhouse | Musical Acoustics or the Phenomena of Sound | |
1893 | Wallaschek | Primitive Music | |
1895 | Billroth | Who is Musical? | |
1899 | Bartholomew | Relation of Psychology to Music | |
1902 | Bartholomew | Relation of Psychology to Music, 2d ed. | |
1905 | Lipps | Consonance and Dissonance in Music | |
1907 | Fisher | Psychology for Music Teachers | |
1909 | Feininger | An Experimental Psychology of Music | |
1911 | Stumpf | Die Anfänge der musik (The Origins of Music) | |
1916 | Krishna Rao | The Psychology of Music | |
1919 | Seashore | The Psychology of Musical Talent | |
1920 | Curwen | Psychology Applied to Music Teaching | |
1921 | Matthay | On Method in Teaching: Being No. VI of Six Lectures on Psychology for Music Teachers | |
1925 | Révész | The Psychology of a Musical Prodigy | |
1925 | Stewart | Acoustics: A Text for Students in Music, Psychology, and Speech at the University of Iowa | |
1926 | Kries | Wer ist musikalisch? (Who is Musical?) | |
1927 | Howes | The Borderland of Music and Psychology | |
1927 | Kwalwasser | Tests and Measurements in Music | |
1927 | Schoen, ed. | The Effects of Music | |
1927 | Swisher | Psychology for the Music Teacher | |
1929 | Meyer | The Musician’s Arithmetic | |
1930 | Farnsworth, C. | Short Studies in Musical Psychology | |
1931 | Mursell & Glenn | The Psychology of School Music Teaching | |
1931 | Pratt, C. | The Meaning of Music: A Study in psychological aesthetics | |
1931 | Vidor | Was ist musikalität? | |
1933 | Hurd | Musical Acoustics | |
1937 | Jeans | Science and Music | |
1937 | Mursell | The Psychology of Music | |
1938 | Seashore | Psychology of Music | |
1939 | Diserens & Fine | A Psychology of Music | |
1940 | Schoen | The Psychology of Music | |
1944 | Buck | Psychology for Musicians | |
1946 | Licht | Music in Medicine | |
1947 | Seashore | In Search of Beauty in Music | |
1948 | Howes | Man, Mind and Music | |
1948 | Schullian & Schoen, eds. | Music and Medicine | |
1948 | Soibelman | Therapeutic and Industrial Uses of Music | |
1951 | Barbour | Tuning and Temperament | |
1951 | Culver | Musical Acoustics, 3d ed. | |
1952 | Gutheil, ed. | Music and Your Emotions | |
1952 | Olson | Musical Engineering | |
1953 | Lundin | An Objective Psychology of Music | |
1954 | Révész | Introduction to the Psychology of Music | |
1955 | Kwalwasser | Exploring the Musical Mind | |
1956 | Meyer | Emotion and meaning in music | |
1956 | Zuckerkandl | Sound and Symbol | |
1957 | Hall | The Language of Musical Acoustics | |
1958 | Farnsworth, P. | The Social Psychology of Music | |
1958 | Weber | The Rational and Social Foundations of Music | |
1959 | Zuckerkandl | The Sense of Music | |
1960 | Langdon | Psychosomatic Music | |
1960 | Seashore | Measures of musical talents | |
1961 | Murchie | Music of the spheres | |
1962 | Valentine | The Experimental Psychology of Beauty | |
1962 | Whybrew | Measurement and Evaluation of Music | |
1963 | Silbermann | The Sociology of Music | |
1964 | Merriam | The Anthropology of Music | |
1964 | Noble | The Psychology of Cornet and Trumpet Playing | |
1966 | Bentley | Musical Ability in Children and Its Measurement | |
1966 | Lowery | A Guide to Musical Acoustics | |
1966 | Teplov | Psychologie des aptitudes musicales | |
1967 | Lundin | An Objective Psychology of Music, 2d ed. | |
1967 | Murchie | Music of the spheres (revised) | |
1967 | Olson | Music, Physics and Engineering | |
1968 | Gaston, ed. | Music in Therapy | |
1968 | Lehman | Tests and Measurements in Music | |
1968 | Shuter | The Psychology of Musical Ability | |
1969 | Culver | Musical Acoustics, 4th ed. | |
1969 | Farnsworth, P. | The Social Psychology of Music, 2d ed. | |
1969 | Phelps | A Guide to Research in Music Education | |
1969 | Zuckerkandl | Sound and Symbol, Vol. 1: Music and the External World | |
1970 | Colwell | The Evaluation of Music Teaching and Learning | |
1970 | Gordon | Experimental Research in the Psychology of Music | |
1970 | Madsen & Madsen | Experimental Research in Music | |
1970 | McLaughlin | Music and Communication | |
1971 | Gordon | The Psychology of Music Teaching | |
1971 | Whybrew | Measurement and Evaluation in Music, 2d ed. | |
1972 | Franklin | Music Education: Psychology and method | |
1973 | Bonny & Savary | Music and Your Mind | |
1973 | Roederer | Introduction to the Physics and Psychophysics of Music | |
1973 | Zuckerkandl | Man the Musician, Vol. 2: Music and the External World | |
1974 | Madsen & Moore | Experimental Research in Music: Workbook in Design and Statistical Tests | |
1975 | Gordon | Learning Theory, Patterns, and Music | |
1975 | Madsen et al., eds. | Research in Music Behavior | |
1975 | Roederer | Introduction to the Physics and Psychophysics of Music, 2d ed. | |
1976 | Eagle | Music Therapy Index, Vol. 1 | |
1976 | Gordon | Tonal and Rhythm Patterns | |
1976 | Plomp | Aspects of Tone Sensation | |
1977 | Benchmark papers in acoustics | Musical Acoustics: Piano and Wind Instruments | |
1977 | Clynes | Sentics: The Touch of Emotions | |
1977 | Critchley & Hensen, eds. | Music and the Brain | |
1977 | Laske | Music, Memory, and Thought: Explorations in Cognitive Musicology | |
1977 | Savage | Problems for Musical Acoustics | |
1977 | Schafer | The Tuning of the World | |
1977 | Shepherd et al., eds. | Whose Music? A Sociology of Musical Languages | |
1978 | Davies | The Psychology of Music | |
1978 | Eagle | Music Psychology Index, Vol. 2 | |
1978 | Grindea, C., ed. | Tensions in the Performance of Music | |
1979 | Radocy & Boyle | Psychological Foundations of Musical Behavior | |
1980 | Hodges, ed. | Handbook of Music Psychology | |
1980 | Phelps | A Guide to Research in Music Education, 2d ed. | |
1981 | Gordon | The Manifestation of Developmental Music Aptitude in the Audiation of “same” and “different” as Sound in Music | |
1981 | Shuter-Dyson & Gabriel | The Psychology of Musical Ability, 2d ed. | |
1982 | Clynes, ed. | Music, Mind and Brain | |
1982 | Deutsch | The Psychology Music | |
1983 | Droh & Spintge, eds. | Angst, Schmerz, Musik in der Anästhesie | |
1983 | Lerdahl & Jackendoff | A Generative Theory of Tonal Music | |
1984 | Cogan | New Images of Musical Sound | |
1984 | Dasilva et al. | The Sociology of Music | |
1984 | Eagle & Miniter | Music Psychology Index, Vol. 3 | |
1985 | De la Motte-Haber | Handbuch der musickpsychologie | |
1985 | Howell et al., eds. | Musical Structure and Cognition | |
1985 | Lundin | An Objective Psychology of Music, 3d ed. | |
1985 | Sloboda | The Musical Mind | |
1986 | Dowling & Harwood | Music Cognition | |
1986 | Evans & Clynes | Rhythm in psychological, linguistic, and musical processes | |
1986 | Hargreaves | The Developmental Psychology of Music | |
1986 | Wilson | Tone Deaf and All Thumbs? | |
1987 | Boyle & Radocy | Measurement and Evaluation of Musical Experiences | |
1987 | Madsen & Prickett | Applications of Research in Music Behavior | |
1987 | McAdams, ed. | Music and Psychology: A Mutual Regard | |
1987 | Rainbow & Froelich | Research in Music Education | |
1987 | Spintge & Droh, eds. | Music in Medicine | |
1988 | Frances | The Perception of Music | |
1988 | Gjerdingen | A Classical Turn of Phrase: Music and the Psychology of Convention | |
1988 | Radocy & Boyle | Psychological Foundations of Musical Behavior, 2d ed. | |
1988 | Roehmann & Wilson, eds. | The Biology of Music Making | |
1988 | Serafine | Music as Cognition | |
1988 | Sloboda | Generative Processes in Music | |
1988 | Swanwick | Music, Mind, and Education | |
1989 | Clarke & Emmerson, eds. | Music, Mind and Structure | |
1989 | Handel | Listening: An introduction to the Perception of Auditory Events | |
1989 | Lee, ed. | Rehabilitation, Music and Human Well-Being | |
1989 | Music and the Cognitive Sciences | ||
1989 | McDonald & Simons | Musical Growth and Development | |
1989 | Parncutt | Harmony: A Psychoacoustical Approach | |
1990 | Benade | Fundamentals of Musical Acoustics, 2d ed. | |
1990 | Fiske | Music and Mind | |
1990 | Krumhansl | Cognitive Foundations of Musical Pitch | |
1990 | Narmour | The Analysis and Cognition of Basic Melodic Structures | |
1990 | Walker | Musical Beliefs | |
1990 | Wilson & Roehmann, eds. | Music and Child Development | |
1991 | Bamberger | The Mind Behind the Musical Ear | |
1991 | Geerdes | Improving acoustics for music teaching | |
1991 | Hauptfleisch | Music Education: Why? What? How? | |
1991 | Howell et al., eds. | Representing Musical Structure | |
1991 | Maranto, ed. | Applications of Music in Medicine | |
1991 | Sataloff et al., eds. | Textbook of Performing Arts Medicine | |
1991 | Shlain | Art & Physics | |
1991 | Todd & Loy, eds. | Music and Connectionism | |
1991 | Wallin | Biomusicology | |
1992 | Balaban et al., eds. | Understanding Music with AI: Perspectives on Music Cognition | |
1992 | Butler | The Musician’s Guide to Perception and Cognition | |
1992 | Colwell, ed. | Handbook of Research on Music Teaching and Learning | |
1992 | Spintge & Droh, eds. | MusicMedicine | |
1993 | Cross & Deliège, eds. | Music and the Cognitive Sciences 1990 | |
1993 | Dowling & Tighe, eds. | Psychology and Music | |
1993 | James | The music of the spheres: Music, science, and the natural order of the universe | |
1993 | McAdams & Bigand, eds. | Thinking in Sound: The cognitive psychology of human audition | |
1993 | Raffman | Language, Music, and Mind | |
1993 | Storr | Music and the Mind | |
1994 | Aiello & Sloboda, eds. | Musical Perceptions | |
1995 | Bohlman & Nettl, eds. | Music, Culture, & Experience: Selected Papers of John Blacking | |
1995 | Fyk | Melodic Intonation, Psychoacoustics, and the Violin | |
1995 | Grindea, ed. | Tensions in the Performance of Music, extended edition | |
1995 | Spintge & Pratt, eds. | MusicMedicine 2 | |
1996 | Cope | Experiments in musical intelligence | |
1996 | Deliège & Sloboda, eds. | Musical Beginnings | |
1996 | Hodges, ed. | Handbook of Music Psychology, 2d ed. | |
1996 | Kemp | The Musical Temperament | |
1997 | Brummett, ed. | Music as Intelligence | |
1997 | Deliège & Sloboda, eds. | Perception and Cognition of Music | |
1997 | Hargreaves & North, eds. | The Social Psychology of Music | |
1997 | Jørgensen & Lehmann, eds. | Does Practice Make Perfect? | |
1997 | Jourdain | Music, the Brain, and Ecstasy | |
1997 | Leman, ed. | Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology | |
1997 | Ortiz | The Tao of Music | |
1998 | Gordon | Introduction to Research and the Psychology of Music | |
1998 | Price, ed. | Music Education Research | |
1999 | Addis | Of Music and Mind | |
1999 | Deutsch | The Psychology of Music, 2d ed. | |
1999 | Pratt & Grocke, eds. | MusicMedicine 3 | |
1999 | Sloboda | Cognition, Emotion, and Peroformance: Three Lectures on the Psychology of Music | |
2000 | Snyder | Music and Memory | |
2000 | Thaut | A Scientific Model of Music in Therapy and Medicine | |
2000 | Tubiana & Amadio, eds. | Medical Problems of the Instrumentalist Musician | |
2000 | Wallin et al., eds. | The Origins of Music | |
2001 | Benzon | Beethoven’s Anvil: Music in Mind and Culture | |
2001 | Cook | Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics | |
2001 | Juslin & Sloboda, eds. | Music and Emotion | |
2001 | Lerdahl | Tonal Pitch Space | |
2001 | Révész | Introduction to the Psychology of Music | |
2001 | Snyder | Music and Memory | |
2001 | Soni | Mystic Chords: Mysticism and Psychology in Popular Music | |
2001 | Zatorre & Peretz, eds. | The Biological Foundations of Music | |
2002 | Austern, ed. | Music, Sensation, and Sensuality | |
2002 | Bunt & Hoskyns, eds. | The Handbook of Music Therapy | |
2002 | Colwell & Richardson, eds. | The New Handbook of Research on Music Teaching and Learning | |
2002 | Hall | Musical Acoustics, 3d ed. | |
2002 | Johnston | Measured tones: The Interplay of Physics and Music | |
2002 | MacDonald et al., eds. | Musical Identities | |
2002 | Parncutt & McPherson, eds. | The Science and Psychology of Music Performance | |
2002 | Zbikowski | Conceptualizing Music | |
2003 | Ashton | Harmonograph: A Visual Guide to the Mathematics of Music | |
2003 | Avanzini et al., eds. | The Neurosciences and Music | |
2003 | Beranek | Concert Halls and Opera Houses: Music, Acoustics, and Architecture | |
2003 | Gordon | A Music Learning Theory for Newborn and Young Children | |
2003 | Gordon | Learning Sequences in Music | |
2003 | Peretz & Zatorre, eds. | The Cognitive Neuroscience of Music | |
2003 | Radocy & Boyle | Psychological Foundations of Musical Behavior, 4th ed. | |
2004 | Balaban et al. | Understanding Music with AI: Perspectives on Music Cognition | |
2004 | Clarke | Empirical Musicology | |
2004 | Davidson, ed. | The Music Practitioner: Research for the Music Performer, Teacher and Listener | |
2004 | London | Hearing in Time: Psychological Aspects of Musical Meter | |
2004 | Temperley | The Cognition of Basic Musical Structures | |
2004 | Williamon, ed. | Musical Excellence: Strategies and Techniques to Enhance Performance | |
2005 | Avanzini et al., eds. | The Neurosciences and Music II | |
2005 | Clarke | Ways of Listening: An Ecological Approach to the Perception of Musical Meaning | |
2005 | Fletcher & Rossing | The Physics of Musical Instruments | |
2005 | Hills & Gouk, eds. | Representing Emotions: New Connections in the Histories of Art, Music and Medicine | |
2005 | Miell, MacDonald & Hargreaves eds. | Musical Communication | |
2005 | Cope | Computer Models of Musical Creativity | |
2005 | Sloboda | Exploring the Musical Mind | |
2005b | Thaut | Rhythm, Music, and the Brain | |
2005 | Wheeler, ed. | Music Therapy Research, 2nd ed. | |
2006 | Altenmüller et al., eds. | Music, Motor Control and the Brain | |
2006 | Benson | Music: A Mathematical Offering | |
2006 | Brown & Volgsten, eds. | Music and Manipulation: On the Social Uses and Social Control of Music | |
2006 | Colwell, ed. | MENC Handbook of Musical Cognition and Development | |
2006 | Colwell, ed. | MENC Handbook of Research Methodologies | |
2006 | Deliège, & Wiggins | Musical Creativity | |
2006 | Hallam | Music Psychology in Education | |
2006 | Howard & Angus | Acoustics and Psychoacoustics | |
2006 | Huron | Sweet Anticipation: Music and the Psychology of Expectation | |
2006 | Levitin | This is Your Brain on Music | |
2006 | McPherson, ed. | The Child as Musician. A Handbook of Musical Development | |
2006 | Mithen | The Singing Neanderthals: The Origins of Music, Language, Mind, and Body | |
2006 | Moravcsik | Musical Sound: An Introduction to the Physics of Music | |
2006 | O’Hara & Brown | Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies | |
2006 | Rothstein | Emblems of Mind: The Inner Life of Music and Mathematics | |
2006 | Schneck & Berger | The Music Effect: Music Physiology and Clinical Applications | |
2006 | Simon | Music and the Human Brain | |
2007 | Aiello | Music: Cognition and Emotions | |
2007 | Edwards | Music: Promoting Health and Creating Community in Healthcare Contexts | |
2007 | Froelich | Sociology for Music Teachers | |
2007 | Gordon | Learning Sequences in Music | |
2007 | Gruhn & Rauscher, eds. | Neurosciences in Music Pedagogy | |
2007 | Lehman et al. | Psychology for Musicians | |
2007 | Leman | Embodied music cognition and mediation technology | |
2007 | Ross | The Rest is Noise: Listening to the Twentieth Century | |
2007 | Saarikallio | Music as Mood Regulation in Adolescence | |
2007 | Sacks | Musicophilia. Tales of Music and the Brain | |
2007 | Temperley | Music and probability | |
2008 | Gilbertson & Aldridge | Music Therapy and Traumatic Brain Injury | |
2008 | Koen | Beyond the Roof of the Word | |
2008 | Koen, ed. | Oxford Handbook of Medical Ethnomusicology | |
2008 | Levitin | The World in Six Songs | |
2008 | North & Hargreaves | The Social and Applied Psychology of Music | |
2008 | Patel | Music, Language, and the Brain | |
2009 | Clarke, Dibben, & Pitts | Music and Mind in Everyday Life | |
2009 | Gordon | Rhythm: Contrasting the Implications of Audiation and Notation | |
2009 | Hallam et al., eds. | The Oxford Handbook of Music Psychology | |
2009 | Kirnarskaya | The natural musician | |
2009 | Klickstein | The Musician’s Way: A Guide to Practice, Performance, and Wellness | |
2009 | Malloch | Communicative Musicality: Exploring the Basis of Human Companionship | |
2009 | Tafuri | Infant Musicality | |
2009 | Thompson | Music, Thought, and Feeling | |
2009 | Watson | The biology of musical performance and performance-related injury. | |
2010 | Ball | The Music Instinct | |
2010 | Berkowitz | The Improvising Mind | |
2010 | Jones, Fay, & Popper, eds. | Music Perception | |
2010 | Juslin & Sloboda, eds. | Handbook of Music and Emotion | |
2010 | Powell | How Music Works | |
2010 | Sacks | Musicophilia | |
2010 | Wright, ed. | Sociology and Music Education | |
2011 | Barrett, ed. | A Cultural Psychology of Music Education | |
2011 | Colwell & Webster, eds. | MENC Handbook of Research on Music Learning | |
2011 | Clarke & Clarke, eds. | Music and Consciousness | |
2011 | Deliege & Davidson, eds. | Music and the Mind | |
2011 | Gabrielsson | Strong Experiences with Music | |
2011 | Gritten & King, eds. | New Perspectives on Music and Gesture | |
2011 | Hodges & Sebald | Music in the Human Experience: An Introduction to Music Psychology | |
2011 | Kenny | The Psychology of Music Performance Anxiety | |
2011 | Ward-Steinman, ed. | Advances in Social-psychology and Music Education Research | |
2012 | Bannan, ed. | Music, language, and human evolution | |
2012 | Berger & Turow | Music, Science, and the Rhythmic Brain | |
2012 | Byrne | How Music Works | |
2012 | Collins, ed. | The Act of Musical Composition | |
2012 | Cornelius & Natvig | Music: A Social Experience | |
2012 | Hargreaves, Miell, & MacDonald, eds. | Musical Imaginations | |
2012 | Horowitz | The Universal Sense: How Hearing Shapes the Mind | |
2012 | Jäncke, ed. | The Relationship between Music and Language | |
2012 | Koelsch | Brain and Music | |
2012 | London | Hearing in Time, 2d ed. | |
2012 | MacDonald, Kreutz, & Mitchell, eds. | Music, Health, and Wellbeing | |
2012 | McPherson, Davidson, & Faulkner, | Music in Our Lives: Rethinking Musical Ability, Development and Identity | |
2012 | McPherson & Welch, eds. | The Oxford Handbook of Music Education | |
2012 | Radocy & Boyle | Psychological Foundations of Musical Behavior, 5th ed. | |
2012 | Rebuschat et al., eds. | Language and Music as Cognitive Systems | |
2012 | Sapen | Freud’s Lost Chord: Discovering Jazz in the Resonant Psyche | |
2012 | Stumpf | The Origins of Music | |
2013 | Altenmüller | The Evolution of Emotional Communication | |
2013 | Bader | Nonlinearities and Synchronization in Musical Acoustics and Music Psychology | |
2013 | Bader, ed. | Sound—Perception—Performance | |
2013 | Bamberger | Discovering the Musical Mind | |
2013 | Campbell & Wiggins | The Oxford Handbook of Children’s Musical Cultures | |
2013 | Chapin & Clark | Speaking of Music | |
2013 | Clayton, Dueck, & Leante | Experience and Meaning in Music Performance | |
2013 | Cochrane, Fantini, & Scherer, eds. | The Emotional Power of Music | |
2013 | DeNora | Music Asylums: Wellbeing through Music in Everyday Life | |
2013 | Dixon | Tripping the World Fantastic: A Journey through the Music of Our Planet | |
2013 | Hendy | Noise: A Human History of Sound and Listening | |
2013 | Honing | Musical Cognition: A Science of Listening | |
2013 | Hunt | Where the Music Takes You: The Social Psychology of Music Subcultures | |
2013 | Margulis | On Repeat: How Music Plays the Mind | |
2013 | Morely | The Prehistory of Music | |
2013 | Ockelford | Applied Musicology | |
2013 | Tan, Cohen, Lipscomb, & Kendall, eds. | The Psychology of Music in Multimedia | |
2014 | Cox | The Sound Book: The Science of the Sonic Wonders of the World | |
2014 | Creech et al., eds. | Active Aging with Music | |
2014 | Fabian, Timmers, & Schubert, eds. | Expressiveness in Music Performance | |
2014 | Honing | Musical Cognition: A Science of Listening | |
2014 | James | The Musical Brain | |
2014 | Mirka | Metric Manipulations in Haydn and Mozart | |
2014 | Papageorgi & Welch, eds. | Advanced Musical Performance | |
2014 | Rice | Ethnomusicology: A Very Short Introduction | |
2014 | Thaut & Hoemberg | Handbook of Neurologic Music Therapy | |
2014 | Thompson | Music, Thought, and Feeling, 2d ed. | |
2014 | Williamson | You Are the Music: How Music Reveals What It Means to be Human | |
2015 | Bigand et al., eds. | The Neurosciences and Music V: Cognitive Stimulation | |
2015 | Bissell | The Role of Expectation in Music: A Study in the Psychology of Music | |
2015 | Brodsky | Driving with Music: Cognitive-Behavioural Implications | |
2015 | De Boise | Men, Masculinity, Music and Emotions | |
2015 | Nagari | Music as Image: Analytical Psychology and Music in Film | |
2015 | Tanaka & Nogawa | Systematic Approach Elucidating Effects of Music onto Human Health | |
2016 | Aho | The Tangible in Music | |
2016 | Alexander | The Jazz of Physics | |
2016 | Andsell | How Music Helps in Music Therapy and Everyday Life | |
2016 | Chaigne & Kergomard | Acoustics of Instruments | |
2016 | Davidson & Garrido, eds. | Music and Mourning | |
2016 | Edwards, ed. | The Oxford Handbook of Music Therapy | |
2016 | Fung & Lehmberg | Music for Life | |
2016 | Hallam, Cross, & Thaut, eds. | The Oxford Handbook of Music Psychology, 2d ed. | |
2016 | Ilari & Young,eds. | Children’s Home Musical Experiences Across the World | |
2016 | Kennedy & Gadpaille, eds. | Symphony and Song: The Intersection of Words and Music | |
2016 | Klempe | Cultural Psychology of Music Experience | |
2016 | McPherson, ed. | Musical Prodigies | |
2016 | McPherson, ed. | The Child as Musician, 2d ed. | |
2016 | Powell | Why You Love Music | |
2016 | Rosset I Lobet & Odam | The Musician’s Body | |
2016 | Wheeler & Murphy, eds. | Music Therapy Research, 3d ed. | |
2017 | Ashley & Timmers, eds. | The Routledge Companion to Music Cognition | |
2017 | Christensen | Sound and the Aesthetics of Play: A Musical Ontology of Constructed Emotions | |
2017 | De Souza | Music at Hand | |
2017 | Hargreaves & Lamont | The Psychology of Musical Development | |
2017 | Hodges | A Concise Survey of Music Philosophy | |
2017 | Horden, ed. | Music as Medicine | |
2017 | Karageorghis | Applying Music in Exercise and Sport | |
2017 | Leech-Wilkinson & Prior, eds. | Music and Shape | |
2017 | MacDonald, Hargreaves, & Miell, eds. | Handbook of Musical Identities | |
2017 | Mantie & Smith, eds. | The Oxford Handbook of Music Making and Leisure | |
2017 | McLachlan | The Psychology of Piano Technique | |
2017 | Nagel | Managing Stage Fright: A Guide for Musicians and Music Teachers | |
2017 | Tan, Pfordresher, & Harré | Psychology of Music | |
2018 | Hallam | Psychology of Music | |
2018 | King & Waddington, eds. | Music and Empathy | |
2018 | Margulis | The Psychology of Music: A Very Short Introduction | |
2018 | McPherson & Welch, eds. | Music and Music Education in People’s Lives | |
2018 | No eds. | Neurosciences and Music VI: Music, Sound and Health | |
2018 | Odena | Musical Creativity Revisited: Educational Foundations, Practices and Research | |
2018 | Reybrouck, Eerola, & Podlipniak, eds. | Music and Functions of the Brain | |
2018 | Wöllner, ed. | Body, Sound and Space in Music and Beyond | |
2019 | Baird, Garrido, & Tamplin, eds. | Music and Dementia: From Cognition to Therapy | |
2019 | Creech, Hodges, & Hallam, eds. | The Routledge International Handbook of Music Psychology in Education and the Community | |
2019 | Deutsch | Musical Illusions and Phantom Words | |
2019 | Garrido & Davidson | Music, Nostalgia and Memory: Historical and Psychological Perspectives | |
2019 | Juslin | Music Emotions Explained | |
2019 | Kim & Gilman, eds. | Oxford Handbook of Music and the Body | |
2019 | Kroeker | Jungian Music Psychotherapy | |
2019 | Margulis | The Psychology of Music: A Very Short Introduction | |
2019 | Peters | The Use and Abuse of Music | |
2019 | Pfordresher | Sound and Action in Music Performance | |
2019 | Rentfrow & Levitin | Foundations in Music Psychology: Theory and Research | |
2019 | Thaut & Hodges, eds. | The Oxford Handbook on Music and the Brain | |
2019 | Whittemore | A Study of Music: Music Psychology, Music Therapy, and Worship Music | |
2019 | Woody | Becoming a Real Musician | |
2020 | Alev | Jazz and Psychotherapy | |
2020 | Biasutti et al., eds. | The Impact of Music on Human Development and Well-Being | |
2020 | De Voigt & Vervoort | Listen to Live – Our Brain and Music | |
2020 | Gross & Musgrave | Can Music Make You Sick? Measuring the Price of Musical Ambition | |
2020 | Helding | The Musician’s Mind | |
2020 | Hodges | Music in the Human Experience: An Introduction to Music Psychology, 2nd ed. | |
2020 | Johansen et al., eds. | Expanding the Space for Improvisation Pedagogy in Music | |
2020 | Nonken | Identity and Diversity in New Music2020 | |
2020 | Ockelford & Welch | New Approaches in Applied Musicology | |
2021 | Koza | Destined to Fail: Carl Seashore’s World of Eugenics, Psychology, Education, and Music | |
2021 | Lachmann | The Self-restorative Power of Music | |
2021 | Madey & VonDras | Music, Wellness, and Aging | |
2021 | Reybrouck | Musical Sense-Making | |
2021 | Thompson & Olsen, eds. | The Science and Psychology of Music | |
2021 | Williamon et al., eds. | Performing Music Research | |
2022 | Cuddy, Belleville, & Moussard, eds. | Music and the Aging Brain | |
2022 | Hallam & Himonides | The Power of Music | |
2022 | Kurth | Music Psychology | |
2022 | McPherson, ed. | The Oxford Handbook of Music Performance | |
2022 | Timmers, Bailes, & Dafern, eds. | Together in Music: Coordination, Expression, Participation | |
2023 | Kim | Body and Force in Music: Metaphoric Constructions in Music Psychology | |
2023 | Küssner, Taruffi, & Floridou, eds. | Music and Mental Imagery | |
2023 | Marguilis, Loui, & Loughridge, eds. | The Science-Music Borderlands | |
2023 | McClellan | The Psychology of Teaching and Learning Music | |
2023 | Hodges & McPherson | Music in the Human Experience: An Introduction to Music Psychology, 3rd ed. |